Music fulfills dreams

With different instruments, but united by the same dream, music has touched the lives of Mariana and Miguel Ángel, members of the Urabá Children's and Youth Philharmonic Orchestra. A group that began as a dream and that has come to fruition thanks to the talent of its 62 students. In 2022, the orchestra performed fourteen presentations accompanying events in the region and twenty ensemble meetings.

This mission of bringing music to all the people of the region is what has motivated the Medellín Philharmonic Orchestra to deliver a life full of hope to children and young people in Urabá, Antioquia.

Sow music with love

Mariana Ayala, she is 14 years old, she is the principal second violin of the orchestra. Her voice expresses deep love for the violin more than anything else in life, she even longs in the future to be a professional musician and perhaps play as a soloist in orchestras around the world. But before realizing his dream, he knows that he must finish school and graduate. Mariana says that her favorite subjects are artistic and livestock and agricultural, the latter because she has had the opportunity to plant plantains and bananas, and explore the types of livestock, which are necessary tools for life and work in the countryside.

The student alternates her school classes with music rehearsals, because both are important in her life, she says; He practices his instrument for an hour a day, with the same discipline with which he frequently sings in his neighborhood church. “I like the way the violin sounds, it gives me peace of mind. With it I can express feelings like affection, love, even sadness. When I have had the opportunity to be a soloist I get very nervous, but it makes me happy to know that the public can feel and hear life through my instrument.” Although he likes to look through books, he prefers to read his scores and his love for music came when he was 8 years old, when a teacher visited his school and invited several students to take free music classes. “There I learned recorder, xylophone, metallophone and even staff. I also had the opportunity to practice French horn and trumpet, but all my attention and heart was on the violin.”

Mariana, born in Chigorodó, was embraced by music before she was born because Mercedes, her mother, stimulated her with romantic songs and universal classics.

Chigorodó, located in the Urabá subregion, means “Guaduas River” in the Katía language. It is a hot municipality, but with large cool rivers. Next to it rises the Serranía de Abibe, a large water reserve in the Uraba subregion.

An instrument that shines like the sun

“If you ask me what my favorite toy is, I will say the trumpet, because I always have fun with it, discover, play and rehearse.” Miguel Ángel Rengifo

The first trumpet of the Urabá Symphony Orchestra is led by 14-year-old Miguel Ángel Rengifo; His life in music began in 2019 with percussion because at first there were no brass instruments; And he loves that family of instruments for their strength and sonority and even because within the orchestra it shines like the sun, he says, “if my instrument were a character it would be someone strong, elegant, beautiful, but very boisterous.” He also really likes the instrument's pistons because they fit easily over his fingers.

He considers himself a very disciplined young man and knows that he must practice the various trumpet methods for at least forty-five minutes each day. “Music is a life project. Since I was little I identified with her, I remember that at family parties we all danced to the rhythm of salsa and merengue, and we sang rancheras,” says the trumpeter.

Miguel, who was born in Apartadó, wants to be a professional musician, but also a trumpet teacher because he dreams that many young people will make music a life purpose. She is currently in ninth grade and loves Spanish, especially when she practices spelling and calligraphy. She even recently found another passion: reading. And although he doesn't like numbers, he says that his favorite book is Damned Mathematics by Carlo Frabetti. “…I like it because they explain mathematical concepts to me in an easier way, and, on the other hand, I think it's a fun story in which Alice arrives in a world of wonders that shows her the beauty of numbers.”

Filarmed sounded exquisite in La Belle Époque

On April 7 and 8, the Medellín Philharmonic arrived in the country's capital to celebrate 40 years and delight people with several presentations. The orchestra was at the VI International Festival of Classical Music of Bogotá, which in this edition focused on French music from the Belle Époque, a cultural movement that took place in Europe at the end of the 19th century and the beginning of the 20th century.

For the concert director, French music is very elegant, very colorful, very emotional. French works are always very challenging, because they are very virtuoso for musicians and very innovative, he said: “…in my opinion, composers like Debussy or Ravel are among the greatest artists in history, and I dedicated many years of work to them. my life performing his works on piano or conducting them with orchestras around the world. Furthermore, I lived in Paris for many years, so I love French culture: literature, poetry, as well as painting and sculpture. When I conduct or play French music I think of those great painters like Monet, Degas, or Matisse, and they inspire me deeply. Furthermore, let us not forget that many jazz artists such as Louis Armstrong, Duke Ellington or Bill Evans were deeply inspired by French composers.”

In the afternoon of Friday the 7th, Filarmed's first French concert was heard at the Delia Zapata Auditorium with the participation of cello star Santiago Cañón.

The concert included the Suite My Mother the Goose by M. Ravel, the Cello Concerto No. 1 by C. Sain-Saëns, Prelude to the Nap of a Faun by C. Debussy and The Firebird (1919) by I. Stravinsky, the latter considered one of the orchestral miracles of the 20th century.

In the afternoon of Saturday 8, the Teatro Mayor Julio Mario Santo Domingo was the setting to enjoy the second concert with the participation of the French pianist Alexandre Tharaud who accompanied the orchestra in the interpretation of the Concerto for the left hand by M. Ravel, it is an impressive feat and excitement musically, it is said that the sound and texture of the solo part rarely give the slightest clue that it is a simple hand. The concert was completed with the performance of The Sorcerer's Apprentice by P. Dukas and The Sea by C. Debussy.

"Our concerts in the capital highlight the importance of regional orchestras for the country's culture and remind us that the Medellín Philharmonic is not only a heritage of Antioquia but of the entire country." María Catalina Prieto, executive director.

The horn, the tree, the dog and the others

The Almond Tree in Blossom, an oil on canvas painted in 1890 inspired by Japanese woodcut, was one of Van Gogh's favorites and is also the favorite of Marisol López, cornist at Filarmed. And the flowering branches against a blue sky are the objects that she admires most in this work of art. Like his neighbors in the San Javier neighborhood, a group of trees—which he can see right in front of his house—visited by woodpeckers that frequently drill their stems.

The cornista deeply loves nature, because it inspires her, especially the trees, which give her shade and oxygen. She says: “I am amazed by what I see in everyday life, I like to paint landscapes, take photos of clouds, of the dogs or cats that I find in my path, of the flowers.”

Marisol is a thoughtful woman, who expresses gratitude to her family, especially her mother, because she has always supported her in her career as a musician. Passionate about her instrument, her pets and especially about photography, she dreams of having a home for animals. He began his musical life with lyrical singing, with a few semesters in high school. He then went on to study the horn professionally, because his family, classmates and professors at the University told him that this instrument suited him well and he had the talent to play it.

She participated in the orchestra in 2009, as a guest musician, with Tchaikovsky's Symphony No. 6 “Pathétique” and Grieg's Piano Concerto under the direction of the Russian maestro Guerassim Voronkov. In addition, he was part of other productions for large orchestra: Mahler, Strauss and Holst, “Composers who created large-format works, which require six cornists and even more in a row!”, expresses Marisol with emotion. That same year, with the Seresta philharmonic fusion concert, she debuted as a Filarmed staff musician.

The instrumentalist also loves her pets; the cat Tito and his dogs Lucas and Fruna. “I adopted Fruna in particular in Fredonia when I accompanied the orchestra on a tour of the southwest, it was love at first sight! Even my classmates encouraged me to adopt her. I received her with love and even with fear, because I didn't know how they were going to welcome her at home; “Some musicians nicknamed her the Filarmed mascot,” said the musician.

Marisol is one of the few women in Colombia who plays horn in a professional orchestra. She was assigned to it by pure coincidence when she was in the Medellín Music School Network at the age of 17. He liked it because it seemed like a strange instrument, its shape, its shine, because it was a different instrument.

“You can find music in everything, even in nature, in the singing of birds, the movement of trees, the sound of the wind, a river.”

About the instrument

The French horn or French horn is a metal wind instrument with a conical mouthpiece, very versatile, since its tessitura has a wide variety of musical notes since its cylinders allow it to produce various types of sounds that range from the lowest to the highest. .

2023 Programming

40 years to thank Medellín and the Valle de Aburrá for welcoming us trust and love. Thanks for helping us to transform with music.
Music transcends and takes us further, like an act of love that connects us with the spirit. The Philharmonic Orchestra from Medellin invites the entire city and country to enjoy the 2023 Season concerts to celebrate 40 years of optimism, of evolution, of beating in unison with the city.
CONCERTS

SEASON II 
(25 of February)

Director: David Greilsammer

Soloist: David Merchán, viola

Tannhäuser Overture – R. Wagner​

Moon Serenade – Carlos Castro

Symphony No. 5 – PI Tchaikovsky

SEASON III – Concert of Anniversary (15 of April)

Director: David Greilsammer

Soloists: Julieth Lozano, soprano

Ana Mora, mezzo-soprano

Tenor to be confirmed

Jacobo Ochoa, baritone

​Cecilia Espinosa Chamber Choir, Human Tones Choir and Medellín Polyphonic Studio.​

Overture to “The Marriage of Figaro”

– WA Mozart. Directed by maestro Alberto Correa

Symphony No. 9 “Choral” – L. van Beethoven

SEASON IV (April 22)

Director: David Greilsammer

Soloist: Matan Porat, piano (Israel)

Piano Concerto No. 1 – J. Brahms​

Symphony No. 10 – D. Shostakovich

SEASON V (June 3)

Director: Christian Vásquez (Venezuela)

Soloist: Milan Milisavljevic, viola (United States)

Muses and wheezing for orchestra – Pacho Flórez​
Sonata for the Grand'Viola – N. Paganini​
Romance for Viola – M. Bruch​
Symphony No. 4 – PI Tchaikovsky

SEASON VI (July 8)

With the Metropolitan Ballet of Medellín

Meditation, from the opera “Thais”

– J. Massenet​

Ballet suite from the opera “El Cid”

 – J. Massenet ​

From the opera Fedora – U. Giordano

Dance of the Hours, from the opera “La Gioconda” – A. Ponchielli ​

Suite from the ballet “Swan Lake” – PI Tchaikovsky

SEASON VII (5 of August)

Director: David Greilsammer

Soloist: Gilad Harel, clarinet (Israel)

​Traditional klezmer pieces for clarinet and orchestra.​

Clarinet Concerto – WA Mozart

Symphony No. 4 – R. Schumann

SEASON VIII (19 August)

Director: David Greilsammer

Together with the EAFIT Symphony Orchestra

Atmosphéres – G. Ligeti

Symphony No. 5 – G. Mahler

SEASON IX (16 September)

CARMINA BURANA

With Dangerous Crew

The cantata “Carmina Burana” by Carl Orff with urban style, performed by Filarmed and Crew Dangerous, with participation of city choirs.

SEASON X (October 14)

Director: David Greilsammer

Soloist: Ira Givol, cello (Israel)

“Abdelazer” Suite – H. Purcell ​

Cello Concerto in C major – FJ Haydn

Symphony No. 9 “The Great” – F. Schubert​

SEASON XI (November 25)

Director: David Greilsammer

Soloist: Laura Payome, clarinet

With the Metropolitan Ballet of Medellín

Clarinet Concerto No. 1 – CM von Weber

Symphony No. 8 – L.van Beethoven

SEASON XII (December 2) 

Director: David Greilsammer

Soloists: Eugenie Lefrebvre, soprano

Melodie Ruvio, mezzo-soprano

Vincent Lievre-Picard, tenor

Yannis Francois, bass

Polyphonic Study of Medellin
Cecilia Espinosa Chamber Choir

Human Tones Choir

The Messiah – GF Händel

With music life sounds brutal

With music life sounds BRUTAL.

It elevates, transforms and takes us to a higher state.
It is there when we need it most, no matter if we are sad or happy, there is always a perfect song for each moment.

There is music to relax, to dance until our feet hurt, to dedicate and others that make our hearts sing. There are songs to concentrate, and even to do cardio... of any kind 😏

The music is there waiting for us to play it to make us forget everything for a few minutes.

And if they ask us what music is, we may not know very well what to answer, but if they ask us what it makes us feel, we will say it by singing.

Because with Music life sounds BRUTAL.

 

This is a collaboration with Mattelsa to celebrate 40 years of Filarmed with a super cool look.

Price of all t-shirts: 79.000

2023 season tickets

We want you to join us to celebrate 40 years touching lives, that's why we want you close with our subscriptions. This modality helps our audience to purchase in advance a package of consumables that can be redeemed during the season.
They are flexible during 2023 season and they are ideal for each person to choose the best option among all the benefits that the orchestra has.
Number of tickets 9 6 3
Discount 25% 20% 15%
Front plate $540.000 $384.000 $204.000
Middle stall $371.250 $264.000 $140.250
Rear terrace and balcony $270.000 $192.000 $102.000
Fertilizers: 
Acquire your flexible passes at www.latiquetera.com discounts between 15% and 25% so you can enjoy this celebration season at the best price, 40 years touching lives. You can redeem the tickets directly at the ticket sales points before the concert for up to 3 tickets per event.
CONCERTS

SEASON II 
(25 of February)

Director: David Greilsammer

Soloist: David Merchan, viola

Overture Tannhäuser – R. Wagner

Serenade of the moon –Carlos Castro

Symphony No. 5  – P.I. Tchaikovsky

SEASON III – Concert of Anniversary (15 of April)

Director: David Greilsammer

Soloists: Julieth Lozano, soprano

Ana Mora, mezzo-soprano

Tenor to be confirmed

Jacobo Ochoa, baritone

Choir of camera Cecilia Espinosa, Choir Human tones and Study Polyphonic of Medellin.

Overture of the wedding of Figaro” 

– WA Mozart. Direct he Master Alberto Belt

Symphony No. 9 “Coral” – L. van Beethoven

SEASON IV (April 22)

Director: David Greilsammer

Soloist: Matan porat, piano (Israel)

piano concerto No. 1 – J. Brahms

Symphony No. 10 –D. Shostakovich

SEASON V (June 3)

Director: Christian Vasquez (Venezuela)

Soloist: Milan Milisavljevic, viola (USA)

Muses and wheezing for orchestra – Pacho Florez
Sonata for the Grand'Viola – N. Paganini
Romance for Viola – M. Bruch
Symphony No. 4 – P.I. Tchaikovsky

SEASON VI (July 8)

With the Metropolitan Ballet of Medellin

Meditation, from the opera “Thais” 

–J. Massenet

Ballet suite from the opera “El Cid”

 –J. Massenet 

From the opera Fedora – U. Giordano

Dance of the Hours, from the opera “The Gioconda” - TO. Ponchielli 

Suite from the ballet “The Lake of the swans” – P.I. Tchaikovsky

SEASON VII (5 of August)

Director: David Greilsammer

Soloist: Gilad Harel, clarinet (Israel)

Parts traditional klezmer for clarinet and orchestra.

concert for clarinet – W.A. Mozart

Symphony No. 5  – S. Prokofiev

SEASON VIII (19 August)

Director: David Greilsammer

Together with the Orchestra Symphony EAFIT​

Atmospheres – G. Ligeti​

Symphony No. 5 – G. Mahler

SEASON IX (16 September)

CARMINA URBAN

With Crew Dangerous

The cantata “Carmina Burana” by Carl Orff with urban style, performed by Filarmed and Crew Dangerous, with participation of city choirs.

SEASON X (October 14)

Director: David Greilsammer

Soloist: Anger Givol, cello (Israel)

Suite of “Abdelazer” – H. Purcell 

Cello Concerto in C major – F.J. Haydn

Symphony No. 9 “The big one” – F. Schubert

SEASON XI (November 25)

Director: David Greilsammer

Soloist: Laura Payome, clarinet

With the Metropolitan Ballet of Medellín

concert for clarinet No. 1 – CM von Weber

Symphony No. 8 – L.van Beethoven

SEASON XII (December 2) 

Director: David Greilsammer

Soloists: Eugenie Lefrebvre, soprano

Melody Ruvio, mezzo-soprano

Vincent Lievre-Picard, tenor

Yannis François, low

Study Polyphonic from Medellin
Cecilia Espinosa Chamber Choir

Human Tones Choir

The Messiah – GF Handel

2023 Programming

January

January 21, 8:00 pm I Hay Festival

The Day You Love Me tells the last days of Carlos Gardel in Medellín through his music, in a stage show with actors, dancers and live music with the Medellín Philharmonic Orchestra. This production combines tango and history in a moving and fun staging that will take attendees to live an exciting time.

Free entrance

February

February 18, 6:00 pm Metropolitan Theater

First concert of the season under the baton of our principal conductor David Greilsammer.

Symphony No. 3 by Ludwig van Beethoven

The Rite of Spring by Igor Stravinsky

Ticket office coming soon

February 25, 6:00 pm Metropolitan Theater

*Symphony No. 7 by Jean Sibelius 

*Tannhäuser Overture by Richard Wagner

Moon Serenade by Carlos José Castro 

Symphony No. 5 by PI Tchaikovsky

Director: David Greilsammer

*Repertoire subject to change

Ticket office coming soon

 

 

Reconciliation Choir Call 2023.

You like to sing? Reconciliation Choir is a space to learn, explore and get to know our own voice, leaving a mark, when our voices join in the same song, our hearts also begin to synchronize. . If you are a signatory of peace, reinstated, a victim of the conflict or belong to families that are also part of these processes, we invite you to participate in this project.

All you need is a desire to learn and share your voice to leave your mark. To sing, you only need to speak. Do you want to try?

 

 

Filarmed, to learn with the Royal Liverpool Philharmonic Orchestra

The Medellín Philharmonic Orchestra has been selected in the mentoring program of the Association of British Orchestras and the British Council. María Catalina Prieto Vásquez, executive director of Filarmed will have the director of the Royal Liverpool Philharmonic Orchestra as a mentor. Michael Eakin, director and CEO of the oldest professional symphony orchestra in the United Kingdom, which in addition to its concerts, is a leader in the development of educational, artistic and community projects, will accompany the director of Filarmed for 12 months in the search for innovations and strategies in the orchestra's management model, to aim for its sustainability and permanence over time.  

The second cohort, this mentoring program carried out by the Association of British Orchestras with the support of the British Council, also benefits the Medellín Philharmonic and three other orchestras located in Ukraine, Poland and Qatar.  

For María Catalina, this program allows not only to have feedback from the executive director of one of the most important orchestras in the United Kingdom, but will also give Filarmed the possibility of analyzing the trends of British orchestras, even creating strategies to confront some phenomena. such as the post-pandemic and globalization. “We will learn from the best. The mentoring will allow us to be in contact with a country and an association that has a very great orchestral tradition, this points to the strategic line of the Medellín Philharmonic to become a reference in all of Latin America,” explains the executive director. 

In addition to personalized work with Michael Eakin, Filarmed is invited to the Annual Congress of the Association of British Orchestras, in February 2023, a space in which it will continue to strengthen networking with other organizations and disciplines.  

 

The Medellín Philharmonic Orchestra arrives at the Teatro Colón in Bogotá

With its Latin Grammy-winning work and a Latin American music concert, the Medellín Philharmonic Orchestra joins the celebration of the 130 years of history of the Teatro Colón, one of the most significant spaces in the Nation's culture.  

  • In Bogotá, the Orchestra presents two concerts, the first “Latin America Philharmonic, he Thursday October 27th and the second "Your Little Philharmonic Rock” album Latin Grammy winnerhe Saturday, October 29 and Sunday, October 30.
     
  • Both concerts have been selected as a sample of the musical quality that the orchestra has achieved, its search to make Latin American academic composers visible beyond the universal repertoire and its versatility that allows it to merge with other genres in high-impact projects.
     

For María Catalina Prieto Vásquez, director of Filarmed, the Teatro Colón is one of the most emblematic stages in our country and for the Orchestra it is a privilege to be part of this celebration. “Our concerts in the capital highlight the importance of regional orchestras for the cultural history of the country and remind us that the Medellín Philharmonic is not only a heritage of Antioquia but of the entire country. We come to share with the entire country the world prize for Innovation that Classical Next gave us,” explains the director.   

Programming 

Latin America Philharmonic
Thursday, October 27, 7:30 pm
Main room of the Teatro Colón
Ticket office from $35,000
Point of sale: Your ticket  

“Latinoamérica Filarmónica” presents the sound and diversity of our music under the baton of Tatiana Pérez Hernández, resident director of the Orchestra. Furthermore, this presentation is part of one of Filarmed's artistic commitments, which consists of disseminating the rich sound of Latin America and promoting the talent of its composers. 

In this concert the public will be able to enjoy black regret and The Goodbyes by Juan David Osorio, Serenade for strings by Andrés Castañeda, Metro Chabacano by Javier Álvarez and Camerata in Guaguancó by Guido López Gavilán. In addition, two soloists from Filarmed will accompany the orchestra, the flutist Fernando Martínez and the violist David Merchán, in the interpretation of the Concerto No. 1 for flute by Raimundo Pineda and the Concerto for viola “Serenade of the Moon” by Carlos Castro, respectively.  

“Each country in Latin America has a unique and particular sound. For example, for this occasion we will have a trip through Mexico, Costa Rica, Cuba, Colombia and Venezuela. In Metro Chabacano The composer seeks to represent the busyness and high influx of a Mexico City station that bears the same name as the work;  Camerata Guaguancó, it's a piece full of traditional Cuban rhythms and the works of Juan David Osorio, they represent the creativity and talent of our Colombian artists,” explains Pérez Hernández.   

 

Your Little Philharmonic Rock
Saturday, October 29, 2022 (3:00 pm)
Sunday, October 30, 2022 (11:00 am)
Main room of the Teatro Colón
Ticket office from $20,000
Point of sale: Your ticket  

Attention boys and girls! There is a Tyrannosaurus that has infiltrated the orchestra, a boy who turned into a wolf and walks among the theater chairs, an incredible ocean wave that will flood your emotions and up to a hundred ants will travel from the stage to Paris. 

Dinosaurs, Adivinanzas Filarmónicas and even Niño Lobo, are preparing to celebrate and rock the 130 years of the Teatro Colón with the concert “Tu Rockcito Filarmónico”, winner of the Latin Grammy in the category “Best Latin Music Album for Children”. 

“Your Rockcito Filarmónico is made up of stories that are made especially for children. Animals, trips through diverse ecosystems and word constructions lead to play and poetry. Our repertoire dreams of designing environments that enhance the creativity and imagination of those who listen to us,” says Paula Ríos, vocalist of Tu Rockcito. 

In The dinosaurs, children will hear some theories about the extinction of the “fattest and heaviest” that inhabited planet Earth; with We are noisy, we will jump to the rhythm of rock to free the spirit, the body and the voice; with Sea waves, they can play while dancing to the rhythm of the ocean's movements; with Disheveled, they will be able to sing and ruffle their hair in the company of the Lion, the baby orangutan or the anteater and with Philharmonic Riddles, you will discover the wonderful sounds and instruments of the orchestra. 

Other songs that make up the rockiest concert in Bogotá are Song for sad days, Wolf Boy, One Hundred Ants in Paris, La Cionca, We Are the Heavy Rockers and From the cradle to the jungle.