Live audition schedule enabled Supernumerary Bank

Thank you for wanting to be part of our orchestra, in this link you will find the names of those authorized and below we share with you the schedule:

 March 22

8:00 am – 1:00 pm violins, violas and cellos

23 of March

8:00 am – 1:10 pm Flutes, oboes, clarinets and bassoon

March 24th

8:00 am – 1:00 pm Horns, trumpets, trombones and tuba.

March 25th

8:00 am – 10:30 am percussion

11:00 am – 1:00 pm double basses

Enabled for live audition Supernumerary Bank

Thanks to everyone who participated in this process, we share below the list of those eligible for live auditions.

Note:

Auditions from March 22 to 25

Before the week of the audition, the date and times for each instrument will be shared with you.

INSTRUMENT ID TYPE NUMBER
Fiddle DC 1020451132
Fiddle DC 1003814183
Fiddle DC 1032460804
Fiddle DC 1049618251
Fiddle DC 1010196322
Fiddle DC 1128462284
Fiddle DC 1036634356
Fiddle DC 1214722755
Fiddle DC 1007222995
Fiddle DC 1152449708
Fiddle DC 1017165864
Fiddle DC 1036662989
Fiddle DC 1128439777
Fiddle DC 1040751561
Fiddle DC 1018472429
Fiddle DC 1110581207
Fiddle DC 1098775053
Fiddle DC 1214734236
Fiddle DC 1017256624
Fiddle DC 1017276645
Fiddle DC 1032487503
Fiddle DC 1010092291
 Fiddle DC 1094274778
Viola DC 1017186705
Viola DC 1037648171
Viola DC 1143409748
Viola DC 1001016815
Violoncello DC 1017246415
Violoncello DC 1152706773
Violoncello DC 1085308485
Violoncello DC 1.193.518.987
Violoncello DC 1152447486
Violoncello DC 1234646381
Double bass DC 1037652703
Double bass Others 141386739
Double bass DC 1214717353
Double bass EC 845212
Double bass DC 1152702251
Double bass DC 1130744327
Double bass DC 1001366409
Double bass DC 1152218213
Double bass DC 1020456133
Double bass DC 1152715445
Double bass DC 1035432302
Double bass DC 1083018509
Double bass DC 1214734037
Flute DC 1088539214
Flute DC 1036681275
Flute DC 1017274595
Flute DC 1128427376
Flute DC 1017266140
Flute DC 1007146587
Flute DC 1040327579
Flute DC 1000556640
Flute DC 1010002209
Flute DC 1022424531
Oboe DC 1110463382
Clarinet DC 1036938016
Clarinet DC 1152717038
Clarinet DC 1035231216
Clarinet DC 1002856440
Clarinet DC 1053873687
Clarinet DC 1020805344
Clarinet DC 1152213701
Clarinet DC 1152201814
Clarinet DC 1035878257
Clarinet DC 1038417455
Clarinet DC 1070017236
Clarinet DC 1040325457
Clarinet DC 1036949849
Clarinet DC 1000755723
Clarinet DC 1152206865
Clarinet DC 80656214
Bassoon DC 1058819498
Bassoon DC 1038419124
Bassoon DC 1017276396
horn DC 1055837384
horn DC 1152208292
horn DC 1042065017
horn DC 1040326108
horn DC 1038411691
horn DC 1041328381
horn DC 1214747635
horn DC 1152714408
Trumpet DC 1088739115
Trumpet DC 1012433002
Trumpet DC 1017260415
Trumpet DC 1040321561
Trumpet DC 1007304244
Trumpet DC 1020434178
Trumpet DC 1089747162
Trombone DC 1041328433
Trombone DC 1038407396
Trombone DC 1214722783
Trombone DC 1152211665
Trombone DC 1085636282
Trombone DC 1007243447
Trombone DC 1152215270
Trombone DC 1004729300
Bass Trombone DC 1037652747
Bass Trombone DC 1037322391
Tuba DC 1017189564
Tuba DC 1089197050
Percussion DC 1036648453
Percussion DC 8126151
Percussion DC 1152200716
Percussion EC 857502
Percussion DC 1017206046
Percussion DC 1030675697
Percussion DC 1044509454
Percussion DC 1037636329
Percussion DC 1110572773
Percussion DC 1216715000
Percussion DC 1018460741
Percussion DC 1032458681
Percussion DC 1085339469
Percussion DC 1098777042
Percussion DC 1017245862

2022 Season Tickets I Diverse music

If you missed live music, we're back. And if you loved discovering us virtually, we invite you to join us in the theaters. Now you can buy our season tickets and

We have designed a season that you are going to love:

– Four concerts under the baton of our new chief conductor, David Greilsammer.
– Full of interesting guests.
– A mix of universal and contemporary repertoires.
– Ballet, electronics…
– A true celebration of diversity.

In addition to the fact that our tickets are still very cheap, we have designed a flexible and even cheaper subscription so that you can join us many times.

You can buy packages of 3, 6, 9 tickets. And the best thing is that you can use them however you prefer: use one at each concert or several on the same date. For example: with a six-ticket subscription, four people can enter one concert and two people can enter another.

You can redeem them before each concert at the La Tiquetera sales points or at the theater box office, in the best available seat in the location you have chosen.

Go ahead, buy your tickets now and let's enjoy a 2022 of diverse music!

 METROPOLITAN THEATER / UNIVERSITY OF MEDELLÍN THEATER
 2022 SEASON PASS

 

Ticket prices 

Front plate: $70.000

Rear plate: $48.000

Balcony: $35.000

 

Discount on season tickets

 

Check our season

*Repertoires are subject to change

Date and place Director and soloist Repertoire
March 5 I 6:00 pm Teatro Universidad de Medellín Director: Sylvain Gasançon Ouverture pour une symphonie – Graciane Finzi Autumn Whisperings – Carolina Noguera In autumn – Edvard Grieg Symphony No. 7 – Beethoven
April 2 I 6:00 pm I Metropolitan Theater Director: Sebastián Almánzar Soloist: Natalia Auli Egmont Overture – Ludwig van Beethoven Concerto for Oboe and Orchestra – Joseph Haydn Symphony No. 2 Johannes Brahms
April 23 I 6:00 pm I Theater University of Medellín Director to be confirmed Concert for DJ and orchestra
May 28 I 6:00 pm I Metropolitan Theater of Medellín “Conductor Francisco Valero-Terribas Soloist Manuela Tamayo, soprano (COL)” The Happy Slaves – Juan Crisóstomo de Arriaga Deh, vieni non tarda – Wolfgang Amadeus Mozart Ach, ich fuhl's- Wolfgang Amadeus Mozart O war ich schon mit dir vereint – Ludwig van Beethoven Overture 1812 – Piot Ilich Tchaikovsky Symphony No.2 – Jean Sibelius
July 18 I 6:00 pm I Metropolitan Theater Director: Henrik Schaefer Soloist: Steven Remolina, bassoon (COL)” Flight of birds – N. Valencia Zuluaga (world premiere) Concerto for bassoon Op. 75 – CM von Weber Symphony N° 3 “”Im walde”” – Joachim Raff
July 23 I 6:00 pm I Metropolitan Theater Resident Director Tribute to two great Colombian artists: Gabo and Botero
August 13 I 6:00 pm I Metropolitan Theater Conductor and soloist: David Greilsammer William Tell Overture – Gioachino Rossini Piano Concerto K491 – Wolfgang Amadeus Mozart Suite The Firebird – Igor Stravinsky La Valse – Maurice Ravel
August 20 I 6:00 pm I Metropolitan Theater Director: David Greilsammer Soloist: Martha Bonilla (COL) – Harp Platée Suite – Jean Philippe Rameau Danse sacrée et danse profane – Claude Debussy Dawn of the Gracious – Maurice Ravel Concert piece for harp and orchestra – Gabriel Pierné La mer – Claude Debussy
September 22 I 6:00 pm I Theater University of Medellín Director: Adrián Chamorro Lucio Silla Overture – Wolfgang Amadeus Mozart Symphony No.68 – Franz Joseph Haydn Symphony No.2 – Ludwig van Beethoven
October 22 I 6:00 pm I Metropolitan Theater Director: Zoe Zeniodi Soloist: National Symphony Orchestra of Colombia Three Latin American dances – Gabriela Lena Frank Symphony No.6 – Piot Ilich Tchaikovsky
November 19 I 6:00 pm I Metropolitan Theater Director: David Greilsammer Soloists: Filarmed Horn Quartet Gabriel Betancur Esteban Avendaño Jairo Restrepo Marisol López” Concert piece for 4 horns – Robert Schumann Cuban Overture – George Gershwin Orchestral suite from “The Fairy Queen” – Henry Purcell Paintings at an exhibition – Modest Mussorgsky
November 24 I 6:00 pm I Metropolitan Theater Director: David Greilsammer Soloist: Matan Porat, piano (ISRAEL)” Cyanea Violeta Cruz Piano Concerto No.1 Johannes Brahms Fantastic Symphony Hector Berlioz

 

The event attendee must comply with and abide by the biosafety protocol established by the venue of the event.

List of selected live audition I Call for Resident Director

Thank you To all the directors who have participated in this process, below we share the 10 finalists to participate in the live audition:

ID 
1012384582
1036783444
1022373268
1085244878
1088266051
1128399351
1128422969
1037671167
71381363
6104212
1070921913

List of those authorized for video evaluation (Call for Resident Director)

Once the documentation review process has been completed, the jury will review the videos and select 10 finalists to participate in the live auditions. These are the selected ones:

DC 88267133
DC 1012384582
DC 1018496958
DC 1036783444
DC 1022373268
DC 1152451543
DC 75108232
DC 1085244878
DC 1053831992
DC 80022337
DC 1088266051
DC 1128399351
DC 1085291996
DC 91.524.862
DC 71381363
DC 1128422969
DC 1013581911
DC 98607117
DC 1128448166
DC 1085263008
DC 1037671167
DC 53118031
DC 6104212
DC 1070921913

2022 Season “Diverse Music”

“…music and culture are the best response to intolerance, racism and hatred.” David Greilsammer, chief director of Filarmed

  • In the 2022 season we want to embrace diversity with music to promote equality, justice and tolerance in our society.
  • Artistically strengthen Filarmed hand in hand with the head director and opening conversations around diversity, are main themes of the 2022 season.
  • Each concert this year is designed under the logic of celebrating human and natural diversity. This Saturday, March 5, to commemorate Women's Day, in the First Concert of the Season, the Orchestra will perform works by the Colombian Carolina Noguera and the French Graciane Finzi, and two master compositions by Edvard Grieg and Ludwig van Beethoven.

Music and diversity

Music has the virtue of influencing our thoughts, our relationship with others and our ability to learn and question our differences. Promote the coexistence of diverse and inclusive cultures, where each person shows themselves as they are.

Music encourages diversity. It allows us to discover, as a society, the richness and variety of life, therefore, we believe that we have the responsibility to promote it.

The 2022 Season invites diversity to address topics such as respect for life and nature, non-discrimination, the elimination of violence against women, democracy, peace and mental health. This approach also invites us to be in sync with the guest artists and the training and social programs.

2021, we felt live music again

In 2021 we continue to take advantage of the possibilities that virtuality and hybrid formats have given us with transversal themes such as opera, literature, nature, among others. Furthermore, the rich sound of Latin America, disseminating the talent of its composers and the selection of the main conductor were key themes of the Season.

The joy of live music returned with the opening of the cultural sector with a series of in-person concerts in theaters and cultural centers in the city. Additionally, the orchestra won its first Latin Grammy that motivates us to continue working creatively to reach more people, and make children and their families happier; We celebrated the award by singing and playing in a live concert with more than 1,200 attendees at the Metropolitan Theater.

In the second half of the year we arrived at Palermo Cultural, our new headquarters and epicenter for culture; We inhabit this space to create the most beautiful musical experiences in joint work with our musicians, administrative staff, and social and training programs. In addition, we strengthened the “Music and Health” initiative, as a moment of respite and calm for doctors and patients from several hospitals in nine departments in Colombia, and in which we offered eight virtual concerts and sent more than two hundred personalized messages full of encouragement, hope and joy.

Our Reconciliation Choir contributed through music to the construction of peace, linking to international and city events such as the Music, Memory and Territories of Peace Seminar of the Network of Music Schools of Medellín, the Delivery of the Vásquez Building, the 5-year Commemoration the signing of the peace agreement in Pedregal, the Knitting for Life Forum on the fifth anniversary of the peace agreement and the Wissenschafts festival of the University of Leipziger, among others; and I Am a Musician, made up of neurodiverse young people and adults, joined our orchestra to make their first video recording and celebrate five years of joys, teachings and creative work.

In figures

182.058
People saw us in virtual and in-person concerts

119
In-person and virtual concerts

David Greilsammer, new director of Filarmed

“I want all musicians to be connected to the 100% with each other, as if the power of sound was transmitted from one body to another, to be able to sound united, energetic, dynamic, bold. As an orchestra, we can achieve complete freedom in our music. The more connected we are to each other, the more powerful and beautiful our sound will be.” David Greilsammer

The Israeli has been leading the orchestra as a guest and in 2021 he was part of the shortlist of candidates for the main direction; For four weeks he visited our city and worked with Filarmed to explore multiple orchestral formats. He also had the opportunity to perform a series of community, seasonal, pedagogical and chamber music concerts, and even shared his experience with educational and social programs. Today, after a rigorous selection process, he has been appointed as the new director of Filarmed.

Greilsammer will be in charge of determining the artistic path that the orchestra will follow for four years. Its tasks will include determining who will be the guest conductors and soloists, giving visibility to the orchestra abroad, creating connections and accompanying educational, training and social programs. In addition, you will work intensively on a variety of artistic aspects such as sound, style, novel musical ideas, rhythmic power and repertoire.

His debut as principal conductor will be presented in August with two concerts: the first will talk with biodiversity and environmental care to celebrate Igor Stravinsky's 140th birthday, and the second will take us on a profound journey to care for the environment. oceans to celebrate 160 years of Claude Debussy.

David Greilsammer is recognized as one of the classical world's most daring and adventurous artists. Director and pianist, unafraid to take risks on stage, he has created some of the most eclectic and daring musical projects today, earning distinctions from The New York Times, The Sunday Times, The Guardian, The Boston Globe and many others.

Since 2013, David Greilsammer has served as musical and artistic director of the Geneva Camerata, one of the most innovative orchestras internationally. In addition to this role, Greilsammer has recently been appointed as chief conductor of our orchestra, effective August 2022.

 

 

 

Diversity, a collaborative work with other musicians

In March the theater season begins with guest conductor Sylvain Gasançon (France), who will include music from two in his program women composers; In April, the Colombian director Sebastián Almánzar will present a concert dedicated to Young Talent that will highlight the artistic and creative work of the musicians; Maestro Francisco Valero-Terribas (Spain) will offer an inspiring musical program on democracy and freedom; German director Henrik Schaefer will invite us to celebrate with music the World day to combat desertification and drought, a unique opportunity to remember that the degradation of our land can be neutralized by finding solutions, with the firm participation of society. Maestro Adrián Chamorro will present a concert that will take us through various periods of music; director Zoe Zeniodi (Greece), will have her baton express mmusic and gender diversity, and our main conductor David Greilsammer will make the music converse with themes such as biodiversity, the oceans, musician's day, ethnic diversity and diversity of faith.


In addition to this, one of Filarmed's commitments is to make national talent visible and offer the opportunity to young musicians with greater relevance to work with the professional orchestra.
We will have the participation of talented performers such as teacher Martha Bonilla, principal harpist of the Bogotá Philharmonic Orchestra; Steven Remolina (Colombia), bassoonist winner of the call for Young Performers of the Luis Ángel Arango Library of the Banco de la República and Matan Porat (Israel), considered one of the most original pianists to emerge in recent times, with an artistic activity that covers a wide spectrum of work as an instrumentalist and composer.

Tú Rockcito Filarmónico arrives in Bogotá and more exciting concerts

Dinosaurs, Philharmonic Riddles and even the Wolf Boy, are preparing to celebrate and rock the 130 years of the Teatro Colón; “You Little Philharmonic Rock” will be heard for the first time in the capital of our country.

Additionally, we will encounter music, literature, art and dance at the GABOTERO concert, in the company of the Metropolitan Ballet, to honor the life and work of the teachers Gabriel García Márquez and Fernando Botero. To live the joy of Christmas, the Orchestra and Ballet will join together again to give the city the magical show Ballet The Nutcracker by PI Tchaikovsky.

2022 will be a year of tributes such as Bon Jovi Filarmónico (in association with Fundación 1+1) and Divas del pop, among other great concerts.

Diverse music for everyone

For Filarmed's agenda, working with diverse communities has always been fundamental, allowing us to continue our purpose of transforming society with music; With Filarmed in the communes, Filarmed in the Metro and Filarmed in the center, we will make the orchestra circulate in proximity conditions in many places, squares, Metro, Metrocable, Tram stations, public spaces, streets, municipalities; with academic, but also popular repertoire, bringing people closer to this universal heritage.

Additionally, other initiatives such as “Do-Re-Mingo Fa-vorito” in association with the Pablo Tobón Uribe Theater and “Oh the music” in Palermo Cultural, will allow people to get closer to music through educational concerts and training activities for teachers. and students, respectively.

Inclusion and training in 2022

The Reconciliation Choir, a peace initiative, made up of former combatants of illegal armed groups and victims of the conflict, will strengthen its artistic work with Colombian repertoire, so that its members can discover the diverse musical traditions of our country. Additionally, Soy Músico, made up of neurodiverse young people, will continue its work in composition and orchestration, and will expand the program for new members. Also, in association with the 1+1 Foundation, we want to strengthen our line of inclusion with the presentation of the Ensemble for the Blind project aimed at people with visual disabilities.

We want to continue bringing our purpose closer to thousands of children and young people who have never had the opportunity to connect to symphonic music. Three stages make up the strategy: the first, raising awareness of music through experiences in the Comfama Inspiration program; the second, musical initiation with our Complementary School Day (JEC) program that in alliance with Comfama we develop in La Ceja, San Jerónimo and Santa Fé de Antioquia; and the third, a stage of pre-orchestra and orchestra in four municipalities of Urabá Antioquia, which we carried out with Fundaunibán.

Our first concert of the Season to commemorate Women's Day

Saturday March 5
6:00 pm
University of Medellin Theater

Ticket office: $35,000, $48,000 and $70,000
Point of sale: latiquetera.com

Since 2019 we have opened spaces for reflection around music, such as peace, reconciliation and gender equality. Our first concert commemorates Women's Day, and celebrates the talent, inspiration and creation of women in music who have sought to change history.

The orchestra and the baton of the Frenchman Sylvain Gasançon invite us to encounter the music of living women composers of different generations and styles, who have burst into the world of culture with their own perspective and sensitivity, creatively reflecting the echoes of our society in constant transformation. In addition, the program is completed with iconic works from the universal repertoire of composers Edvard Grieg and Ludwig van Beethoven.

Music

The concert includes the compositions of the Colombian Carolina Noguera and the French Graciane Finzi.

From Noguera we will interpret Autumn Whisperings, a creation in which its composer expresses the image and meaning of the railway, based on experiences lived in Great Britain. The work uses as raw material the sound of a freight train suddenly braking and evokes a reflection on the railroad phenomenon in Colombia, “the idea of an abandoned train that made a sound as if it were still running was inspiring to me,” says the composer.

Noguera is committed to the search for re-signifying pre-existing musical materials and, in particular, traditional Colombian music. In this way, he frequently assumes composition as an exercise that begins with the transcription of works of that nature.

Follow the program Overture to a symphony by Graciane Finzi, a surprising work that evokes elements of Brahms' Symphony No. 1, loaded with a romantic, lively texture and dramatic nuances.

Finzi's catalog includes more than a hundred works that are performed throughout the world by great soloists and renowned orchestras. He uses the instruments, whether they are orchestral masses or soloists, taking into account their individuality, then unites them into juxtaposed groups in which each one has its own dynamism, its drives, its color, its vital rhythm. In his music he insists on looking at the immediate expression of life and the deep feelings of man.

The program is completed with Concert Overture “In Autumn” by Edvard Grieg, inspired by the autumn landscapes that the composer enjoyed in his homeland and the Symphony No. 7 by Ludwig van Beethoven, considered one of the most amazing and exciting works of the German composer.

Director

Frenchman Sylvain Gasançon has been praised for his powerful performances, magnetic energy and musicality; He is currently principal guest conductor of the UNAM Philharmonic Orchestra (Mexico) and was winner of the First Prize of the Eduardo Mata International Conducting Competition in Mexico. He has conducted the Lausanne Chamber Orchestra, the Saint Petersburg State Orchestra, the Brittany Orchestra, the Orchestra of the Region of Murcia in Spain, the Sofia Festival Orchestra, the Buenos Aires Philharmonic-Teatro Colón, the Symphony National Symphony Orchestra of Buenos Aires, the National Symphony Orchestra of Mexico, the Sao Paulo State Orchestra and the Bogotá Philharmonic among others.

Resident Director Call

As part of the commitment to national talent, and the importance of being a platform for young practicing conductors, in 2018 the Medellín Philharmonic Orchestra created the figure of the resident conductor, as an opportunity for a young and talented orchestral director to work permanently with the entire orchestra, nourishing himself with valuable learning. In 2022, with the election of the new director, who will be officially announced in March, Filarmed is once again committed to having young talent en casa to work with the musicians under the mentorship of the Principal Conductor. Therefore, it invites professional musicians interested in aspiring to the position of RESIDENT DIRECTOR, to read this call carefully.

The Resident Director He will be in charge of assisting the Principal Conductor in the activities he requires, preparing and directing the orchestra when requested, attending to artistic and administrative requirements requested by the administration of the Corporation, among other functions. This position constitutes a service provision contract with monthly fees of COP$7,000,000.

Candidate profile

Colombian citizens residing anywhere in the world; professional musicians with an emphasis in conducting/orchestral conducting or master's degree in the same field, who demonstrate experience conducting professional and/or amateur ensembles and orchestras for at least 2 years. Applicants must be willing to relocate to the city to begin serving as of April 1, 2022.

Participants will be evaluated by an internal jury appointed by the Medellín Philharmonic Orchestra.

 

STAGES OF THE CALL

1.Registration and receipt of documents: January 21 to February 6, 2022.

2.Publication of the list of those eligible for video evaluation: February 8, 2022.

3.Publication of the list of those selected for live audition: February 25, 2022.

4.Live Auditions: March 17 and 18, 2022.

5.Publication of results: March 25, 2022.

 

*The name of the selected applicant will be published on March 25, 2022. The Medellín Philharmonic Orchestra reserves the right to declare the place deserted.

 

1.Registration and receipt of documents

Those interested in participating in this call must fill out the registration form published in the next link, where they must copy the link with the following documentation:

  • Citizenship card.
  • Certificates of academic training.
  • Certificates of experience in conducting professional and amateur ensembles and/or orchestras for at least 2 years.
  • Link to a video of you conducting 2 contrasting movements of a classical or romantic symphony. The video must have been recorded in 2019, 2020, 2021 or 2022 and remotely recorded videos will not be accepted: the conductor must be seen interacting directly with the orchestra or pianists in the same space. If possible, the video should be unedited. The video must be properly marked with the name of the applicant.

 

Note 1: Remember to make sure the link to the video works, otherwise your application will not be considered. If the video is hosted on platforms such as YouTube, remember that it must be set to public or unlisted so that the jury can access it.

Note 2: Remember to answer all the questions and copy the link with all the requested documentation. Otherwise your application will not be taken into account.

2. Documentation review

The Orchestra will verify that the registrations and documents provided are correct and that they have been delivered on the established dates. Applicants who contain inconsistencies in the information reported will not be taken into account for the evaluation of the video.

3. Publication of the list of those selected for live audition

Once the documentation review process has been completed, the jury will review the videos and select 10 finalists to participate in the live auditions.

4. Live auditions on March 17 and 18

The venue for the auditions will be the headquarters of the Medellín Philharmonic Orchestra in Palermo Cultural, Carrera 42 #8-00.

The auditions will be divided into two rounds. The finalists selected from the video round will participate in the first, and at the end of the first day of auditions, the jury will summon the participants who achieve at least 85/100 points for the next day.

Participants who reach this stage must prepare the entire repertoire required in this call and the jury will be in charge of requesting the fragments that the applicant will conduct during the audition.

Note: Audition dates are not subject to change. The participant who does not attend the audition on the established date and time will be disqualified.  

REPERTOIRE FOR LIVE AUDITION

PENSUM FILARMED RESIDENT DIRECTOR
ROUND REPERTOIRE
March 17 · Boccherini – Symphony in D minor “La Casa del Diavolo”: I movement.

· Mozart – Symphony no. 40: I movement.

· Beethoven – Symphony no.1: IV movement.

· Ravel – Le Tombeau de Couperin: “Forlane”.

· Stravinksy – Concerto in D major for strings – I movement.

FINAL

March 18th

· Mozart – The Magic Flute: Overture.

· Schubert – Symphony no.4 “Tragic”: I movement.

· Beethoven – Symphony no.7: II movement.

· Brahms – Symphony no. 4: IV movement.

· Bartok – Divertimento for strings: I movement.

 

5. Publication of results.

The name of the selected applicant will be published on March 25, 2022.

Updated call for supernumerary bank 2022

The Medellín Philharmonic Orchestra invites musicians interested in being part of the orchestra's supernumerary bank to read this call carefully. 

The Filarmed supernumeraries will be summoned to participate in those performances in which the orchestra's staff must be expanded, according to the needs of the repertoire and the agenda. Payment is made for service provided, with service understood as each rehearsal and concert in which the supernumerary participates; The value of each service will correspond to the rate that the Medellín Philharmonic Orchestra provides for 2022.  

Candidate profile  

Professional musicians with a minimum of one (1) year experience as a musician in symphony orchestras. If you do not have a professional degree, three (3) years of experience will be required; The experience must be properly supported with certificates or hand-held programs.  

Interested persons must reside in Colombia. The Medellín Philharmonic Orchestra will not be responsible for any transfer that supernumeraries must incur.

Update of requirements for the supernumerary bank call for the Medellín Philharmonic Orchestra Corporation.

Musicians interested in participating in the call for supernumeraries who do not have certificates of orchestral experience may attach, in the document link of the registration form, a letter of recommendation from their instrument teacher or from a recognized symphonic musician. for his work as a teacher, performer or musician belonging to a professional orchestra.

It is VERY IMPORTANT that the person who writes the letter of recommendation is a performer of the same instrument to which it is being applied in the call.

 

Stages of the call 

  • Registration and receipt of documents: December 10, 2021 to February 18, 2022. 
  • Documentation Review: from the February 21 to 24, 2022. 
  • Publication of the list of those eligible for live audition: February 25, 2022. 
  • Live audition: 22 as of March 25, 2022. 
  • Publication of results: March 31, 2022. 

1. Registration and receipt of documents  

 

Those interested in participating in this call must fill out the published registration form HERE , where they must attach the following documentation: 

 

  • Identification card. 
  • Certificates of academic training. 
  • Certificates of experience of at least one year working in an orchestra, for graduates. 
  • Experience certificates of at least three years if you do not have a professional degree. 

 

Note: Remember to answer all the questions and attach your link with all the requested documentation. Otherwise your application will not be taken into account. 

 

2. Documentation review 

The Orchestra will verify that the registrations and documents provided are correct and that they have been delivered on the established dates. Applicants who contain inconsistencies in the information reported will not be taken into account for appointment to live auditions. 

3. Publication of the list of those eligible for live audition 

Once the documentation review process has been completed, the people who have provided the complete documents and within the times established in this call will be summoned. This summons will inform you of the date, time and place where the auditions will be held.  

4. Live audition during the week of March 22-25, 2022 

The location of the auditions will be in Medellín. Participants who reach this stage must present the entire repertoire required in this call and will be evaluated on a scale of 1 to 100 by an internal jury appointed by the Medellín Philharmonic Orchestra. 

Note: Dates may be modified according to the number of registered participants.  

Repertoire for live audition

Supernumerary pension 

 

INSTRUMENT   REPERTOIRE 
FIDDLE   1) Mozart: Concerto 3, 4, or 5, first movement without cadenza.
2) Mozart: Symphony 35 “Haffner”, finale presto, first 37 bars (violin part 1). 3) Mozart: Symphony 39. Satz, Finale, first 40 bars (violin part 2).
4) Brahms: Symphony 3. First movement, from 12 bars before the letter K to the end.  Orchestral sheet music link: https://drive.google.com/file/d/1APOFCePXK0WxnS8zN8NXPcmIWqeIqMVc/view?usp=sharing  
VIOLA  1) First movement of any of the following concertos with cadenza:  

– C. Stamitz, Viola Concerto in D major.  

– FA Hoffmeister, Viola Concerto in D major.  

2) Shostakovich: Symphony No 5. 1st. Mov. From numeral 15 to 17.  

3) R. Strauss: Don Juan: From the beginning until 5 bars before the letter D.  

4) Brahms: Symphony No 4. 4th. Mov. Measures 41 to 80. 

 

Orchestral sheet music link:  

https://drive.google.com/file/d/1-dy_2mvm4aGMXovViLGNRNdJEkBNRpvJ/view?usp=sharing 

 

VIOLONCELLO  1) First movement without cadence of any of the following concertos:  

* Haydn, Joseph: Concerto in D major.  

* Haydn, Joseph: Concerto in C major.  

* Sains-Saëns, Charles-Camille: Concert.  

* Elgar, Edward: Concerto.  

* Dvorak, Antonin: Concerto.  

* Tchaikovsky, Pyotr Ilyich: Rococo (Theme and two contrasting variations).  

2) Mozart: Symphony No. 35 in D major “Haffner”. Presto (see attached score).  

3) Beethoven: Symphony No. 5. Second movement (see attached score).  

4) Brahms: Symphony No. 2. Second movement (see attached score).

5) Mozart: The Marriage of Figaro Overture. Presto (see attached score). 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1i1w_lDUEF3768qtXKjCP6rE_jTtNIN_8/view?usp=sharing 

 

DOUBLE BASS  1) Dittersdorf: Concerto for Double Bass, first movement without cadenza.  

2) Beethoven: Symphony 9. 4th. Mov. Recitatives. 

3) Brahms Symphony 2: 4th. Mov. Measures from 244 to 279.  

4) Mozart: Symphony 40. From measure 115 to 138.  

5) Tchaikovsky: Symphony 4. 1st. Mov. Letter P up to 1 after Q. 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/13FVCixd–MTPIbauiPLAmlW-LqIjQf-2/view?usp=sharing 

 

FLUTE  1) Mozart: Concerto in G or D major, 1st. Motion.  

2) Bizet: Carmen. Intermission  

3) Bramhs: Symphony No. 4  

4) Rossini: William Tell Overture  

5) Piccolo: 

  • Rossini: Semiramide.  
  • R. Korsakov: Scheherazade.  

Note: All orchestral excerpts are those that appear in the attached scores 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1AnggZOglxT8X8Ycqdct4jcMvB4OcrNxd/view?usp=sharing 

 

OBOE AND ENGLISH HORN 

(Test for 2nd Oboe and English horn role is optional) 

1) Mozart: Oboe Concerto in C Major K.314, 1st Movement (from the beginning to measure 97). 

2) Brahms: Variations on a Theme by Haydn, (Introduction to Variation 1). 

3) Bizet: Symphony in C, 2nd Movement-Adagio. 

4) Moussorgski/Ravel: Paintings from an Exhibition Les Tuileries Ballet “des pussins dans leurs coques”  

 

Orchestral Solos for English Horn: (Optional if the participant owns the instrument)  

 

1) Rossini: William Tell Overture. 

2) Berlioz: Overture “The Roman Carnival” (from measure 21 to No. 4). 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1xxDTpsnqAAZchFAgwLY2RFsYAXP-7rGg/view?usp=sharing 

 

CLARINET  Soprano Clarinet (required)  

 

1) Mozart: Clarinet Concerto. First movement (exposition) 2) Beethoven: Symphony No.6. II movement. One measure before letter D to two measures before letter E  

3) Mendelssohn: A Midsummer Night's Dream. Scherzo. Beginning to letter B  

4) Rimsky-Korsakov: Scheherazade. 2nd. Mov. Cadenza (letter F) 

 ————————————  

Requinto Clarinet (optional)  

 

1) Strauss: Till Eulenspiegel. Numeral 30 to numeral 32 

2) Ravel: Daphnis et Chloé: 

  • One measure before numeral 157 up to three measures before numeral 158  
  • Only from numeral 160 

 ———————————–  

Bass Clarinet (optional)  

 

1) Stravinsky: Rite of Spring. 

  • Numeral 11 to 12  
  • Numeral 48 to 49  

2) Strauss: Till Eulenspiegel. Numeral 29 to 32  

———————————–  

Note:  

*Bass clarinet and requinto clarinet solos are NOT mandatory 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1LH1lvGGIzONzn2az1HcCuouE9xAwCd8D/view?usp=sharing 

 

 

BASSOON  1) WA Mozart: Bassoon Concerto in B flat Major.  

First Movement from measure 35, to measure 98  

2) J. Brahms: Violin Concerto in D Major.  

Second movement / Play part of the Second Bassoon / From the beginning, until measure 32.  

3) H. Berlioz: Fantastic Symphony / Fourth Movement / First Bassoon:  

  • From fifteen measures before the number “51”, to six measures before the number “51” 
  • From two measures before the number “52”, until the number “53”  

4) PI Tchaikovsky: Symphony No. 6 “Pathetic” Op. 74. 

Fourth Movement from measure 2, to measure 36 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1obLAHKy20urENSYZyB-3gEkuwlJKV8-C/view?usp=sharing 

 

HORN  1) Mozart: The exposition of the first movement of Concerto No. 4 kv. 495 in Eb.  

2) Strauss: Concerto No. 1, in Eb first movement. 

3) Tchaikovsky: Symphony 5, solo from the 2nd. Movement (measures 8 to 28)  

4) Shostakovich: Symphony No. 5, call of the first movement (from rehearsal number 17 to rehearsal number 21) 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/12r8s-o6kj3fr2sYimn7U4uLB8Vld-H_F/view?usp=sharing 

 

TRUMPET  1) Trumpet Concerto in Eb by Hummel, first movement (Can be played on trumpet in Bb)  

2) R. Korsakov: Scheherazade (Trumpet 2)  

  • II movement, from measure 17 of the letter “E” to the letter “F”.  
  • Four measures before the letter “K” to the letter “L”. 
  • III movement, from the letter “G” to the letter “H”. 
  • IV movement, from the letter “W” (Spiritoso) to (Allegro non troppo e maestoso).  

3) O. Respighi: Pini di Roma, “Pini presso una catacomba” internal waterspout alone.  

4) G. Bizet: Carmen (trumpet in Bb), “Prelude” from number 6 to the end of the prelude.  

5) P. Tchaikovsky: The Nutcracker “ballet” (trumpet 1), “Divertissement” numeral 12 (le chocolat) brilliant allegro, trumpet solo.  

6) L. Bermúdez: Colombia beloved land (Felix Mórgan version) Tutti final  

7) V. Valencia: San Pelayo (trumpet 2).  

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1S0pjT8I8lnxwh_eb4SRMQZfbSTf6rFCn/view?usp=sharing 

 

TROMBONE  1) Ferdinand David: Trombone Concerto first movement. 

2) Mozart: Requiem, Tuba Mirum. 

3) Rossini: “La Gazza Ladra” Overture, from bars 115 to 131; from 275 to 291 and from 432 to 442  

4) Till Eulenspiegel: Part 2 (4 before measure 36 until 5 of 37) 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1HgCAFYAPjhDA0fFxVNjC-szVeHfpdUzi/view?usp=sharing 

 

  

BASS TROMBONE  1) Eugene Bozza: New Orleans for bass trombone and piano 

2) J. Haydn: The creation. No.26 from start to C.  

3) Berlioz: Fantastic Symphony. From 56 to six bars after 57.  

4) G. Rossini: William Tell. From C to 8 measures after D. 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1Bn_Tld74_80srSAo3YtiUDMXPeQkuTSr/view?usp=sharing 

 

TUBA  1) Vaughan Williams: Tuba Concerto, First movement.  

2) Berlioz: Fantastic Symphony  

  • Fourth movements, from measure 60 to 155. 
  • Fifth movement, from bars 29 to 524.  

3) S. Prokofiev: Symphony No. 5 – first movement, 3 to 6  

4) R. Strauss: Till Eulenspiegel Lustige Streiche. 

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1UXzKratazkM9Lc5q5121wVgZ9Vyz7tXg/view?usp=sharing 

 

PERCUSSION  Xylophone  

1) Kodaly, Háry János: – Sixth movement, from alla Marcia to the third measure from No. 10.  

 

Saucers  

2) PI Tchaikovsky, Romeo and Juliet Overture – 12 measures starting from the letter E.  

 

Timpani  

3) Rite of Spring / I.Stravinsky – from number 193 to the fifth measure of number 197.  

 

snare drum  

4) Test Claire / Jaques Delécluse. 

 

* For percussion instruments, the interpretation of Latin and Colombian rhythms (salsa, porro and cumbia) on congas, Latin timbale and maracones or güiro will be evaluated.  

 

Orchestral sheet music link: 

https://drive.google.com/file/d/1cH6S7gcMzsiHpZkEU29URXn8MDYqphf3/view?usp=sharing 

 

 

  1. Publication of results.  

Participants who obtain a score equal to or greater than 85 points out of 100 will form a list of eligibles that will be published on March 31, 2022 on the Filarmed website.  

 

With 200 musicians on stage, Jaime Martínez captivated France

What a proud teacher! 

World Premiere

To the rhythm of oboes, bassoons, French bagpipes and a lot of Caribbean flavor, maestro Jaime Martínez, head of oboes at Filarmed, presented in France the world premiere of his work Au clair de la Lune sous le ciel des caraïbes (In the moonlight under the Caribbean sky) commissioned by the French Federation of Double Reed Instruments (FFAD).

The long-awaited premiere was made for an ensemble of two hundred European musicians performing oboe, love oboe, English horn, bassoon, contrabassoon and cornemeuses françaises (French bagpipes) made up of children, young people, professionals and amateurs, from orchestras, music schools , conservatories and associations of double reed instruments. The percussion – made up of instruments of Latin origin such as maracas, harpsichord, among others – was provided by Juan Andrés Martínez, son of maestro Jaime. The Venezuelan oboist played within the ensemble and performed an improvisation in the middle of his work. “Captivating the European public in the Latin American style was the surprise for this concert!” recalls the composer, who highlights that it had several social components; First, because it brought the public closer to this family of instruments and aroused the interest and motivation of children and young people.

“The children's song “Au Claire de la Lune”, deeply rooted in the French people and known throughout the world, was the basis that inspired me to compose these tropical variations; attributed to Jean Baptiste Lully, creator of the French baroque style par excellence and who, together with the Sun King of France Louis XIV, and his father Louis XIII, did so much for the development of double reed instruments with large ensembles like the one heard by the concert attendees,” said Jaime Martínez.

The presentation was under the direction of the French oboist and conductor, Maestro Pascal Zamora, who also works as English horn soloist of the National Orchestra of Lyon, friend and classmate of Jaime Martínez at the National Superior Conservatory of Music and Dance of Paris. The premiere of the work took place on October 22 at the Maurice Ravel Auditorium in Lyon - considered one of the most emblematic stages in France - at the opening concert of the European Reunions of Double Reed Instruments-Lyon, 2021 Next, Maestro Jaime gave a lecture on “The oboe in Caribbean popular music.” Filarmed's composer and principal oboist was sponsored by the FFDA and the De Gourdon-F.Lorée oboe factory in Paris.

“I think the audience immediately identified with the work, because 'Au Clair de la lune' is a very well-known children's song. The audience understood that my message is a fresh and sunny cultural bridge between France and the Caribbean, a bet on the democratization of these instruments that are still little known, a festival of double reed instruments. A historic moment because it was the first time that these rhythms were made with this instrumentation, imagine, a Colombian cumbia played by French cornemeuses!”, explained the oboist.

Caribbean party sounded in Europe

“It was a very special evening, for which I specially composed these tropical variations with representative rhythms of our Caribbean countries.” Jaime Martínez.

For Maestro Jaime it was a sunny and joyful trip, from France to his French Antilles, passing through Cuba, Jamaica, the Dominican Republic, Colombia — where he currently resides — and which ended in his beloved country, Venezuela. Finally, he added that it was a “party” in Lyon to the rhythm of mambo.

Filarmed Entrepreneurship

The Medellín Philharmonic Orchestra supports the entrepreneurship of its musicians to have other musical experiences in the country and around the world. That is, we open the artistic panorama that exists around symphonic music to enhance their complementary skills to their professional practice.

For Maestro Jaime, an orchestra cannot be just an instrument that plays music, it must be much more than that: it must be a school, an academy, a university, where its members are given freedom to develop their talents and abilities. .

Agenda Imagine the Future

In these times of great social challenges, culture feels like a vigorous wind that runs through our territory and brings us closer to other human beings with whom we share desires, uncertainties and certainties. It proposes conversations about the present we live in and encourages dreams about the future we build.

We invite you to these meetings for the city and the department to imagine ourselves better.

October 12 °

Behind the South: dances for Manuel

Sankofa Danzafro

Hour: 8:00 pm It will be broadcast on the Facebook of @TeatroMetropolitanoMedellin and @comfama

Choreographer: Rafael Palacios

October 16

In your corner the stars. They won't be far away. Not this time.

Navigation and string concert by the Medellín Philharmonic Orchestra.

Limited capacity. In Comfama Pedregal.

Upcoming events A Nearby Heaven

Thursday, October 28, 7:00 pm at Comfama Bello

Saturday, October 30, 7:00 pm at the Comfama Cloister, San Ignacio square